When We Talk About How Movies Used

I'm Mickey Mouse. They Don't Know Who's Inside The Suit.

The Acting Experience And The Collaborating And Creating The World, Working On The Piece, They're The Same Joys.

I'm Not A Photographer, So I Didn't Get Into F-stops Or Nd Filters Or Background, Foreground, Cross-light, All That Stuff. But I Was Interested In The Camera And The Lenses. That's The World That I'm Moving In, In Terms Of Acting And Giving A Performance.

'speed' And 'point Break' Were A Lot Of Running And Jumping, And Then 'the Matrix Trilogy' Had A Lot Of Fights And Wire Work And Green Screen Elements.

I Really Took It In-house. The Constantine Character Has A Kind Of Flesh-and-blood Practical Look At Things That Would Seem, Other People Would Use The Word, Occult Or Spiritual. But Here, Demons Are Real. So For Me It Was More Taking It From The Film Itself. I Didn't Really Need To Go Outside The Piece Itself To Inform Me Because The Perspective On It, What The Character Does, Was Provided By The Script.