When I've Finally Got The Title, I

You Can Hear The Profile Of A Sound, In Retrospect, So Much More Clearly Than You Did At The Time. And I Think One Of The Things That's Going To Be Nauseatingly Characteristic About So Much Music Of Now Is Its Glossy Production Values And Its Griddedness, The Tightness Of The Way Everything Is Locked Together.

It Infuriates Me That Stuff From The Internet Routinely Doesn't Include All The Credits. Because As Soon As I Listen To Something, If I Like It, I Want To Know, "who's The Bass Player?" "who Did That?" "who's The Engineer On This?

If You're In A Forest, The Quality Of The Echo Is Very Strange Because Echoes Back Off So Many Surfaces Of All Those Trees That You Get This Strange, Itchy Ricochet Effect.

Most Game Music Is Based On Loops Effectively.

I've Noticed A Terrible Thing, Which Is I Will Agree To Anything If It's Far Enough In The Future.