When I'm About Ready To Press The

The Reason I Do Workshops Is So I Can Learn, And I Am Fortunate That I've Probably Gained More From The Whole Experience Of Teaching Than Any One Participant Has. It Is All About Asking.

I Remembered Seeing It And It Was This Metallic Turbine And I Thought It Was Beautiful. I Had Never Been In A Power Plant Before, But I Felt, Without Being Overly Dramatic, Compelled To Make Photographs Of This For Myself.

I Took A Workshop From Him A Few Months After That. That Experience Changed My Whole Approach To Photography. At That Workshop In Yosemite In 1973 I Decided I Wanted To Try And See If I Could Pursue This For Myself, And I'm Still Trying.

And Then As I Frequently Do, Some Times I'll Peek Out From Underneath The Focusing Cloth And Just Look Around The Edges Of The Frame That I'm Not Seeing, See If There's Something That Should Be Adjusted In Terms Of Changing The Camera Position.

Obviously, We Can See What Was In Front Of The Camera, But If A Photograph Is Honestly Made, It's A Bit Of A Self-portrait. I Think It's Impossible For A Photographer Who Is Working Honestly To Keep This From Happening.