When I Went To High School, In

I Love Funny People, And When I'm With Funny People, Or People Who Are Amusing In Their Weirdness, I Love It. Because That To Me Is Funny, As Opposed To Someone Who Stops And Says, 'hey Let Me Tell You A Joke.'

I Think Things Go Wrong When There's Not A Very Specific Plan And Specific Emotional Roadmap. You Need To Know What A Scene Needs To Get Across, And What Story Point That Needs To Be Advanced, Whether It's Discovering Someone For The First Time Or Whether It's Seeing A Relationship Get Strained. What I Do As A Director Is Really Create A Safe Environment That Everyone Can Feel Very Comfortable In And Experiment Within So That They Don't Hold Back Anything.

I Don't Like Weddings. I Never Have. I Find Moments In Them I Really Like, But I Always Look At Them Like, "oh My God, We Have To Go To A Wedding." My Problem With Weddings Is That They Are Just Too Long.

The Greatest Movies Are The Ones You Want To Watch Again And Again.

If You're Not Connected Emotionally To A Story, Then You're Dead. You're As A Filmmaker Really Just Opening The Door For People To Lose Interest And Their Minds To Wander, For Them To Start Picking It Apart. That's What People Will Do, People Will Naturally Tear Stuff Apart Because They're Trapped With It, They Paid Money For It. And They Came Into It Wanting To Love It. So All You Can Really Do Is Piss Off The Audience. Unless You Do Things Right.