When I Went Over To The States

Actually, I'm Getting One Made Up With Eight Necks And I'm Going To Get A Wheelwright To Make A Big Rim Around It And Then I Can Do Cartwheels Off The Stage.

Once I Get Onstage The Tension Explodes And I'm Fine. I'm In Another World - In A Trance Almost, Doing What I Love Best, Expressing Myself Through Guitar.

There's A Very Old Recording Maxim That Goes, 'distance Makes Depth.' I've Used That A Hell Of A Lot-whether It's Tracking Guitars Or The Whole Band. People Are Used To Close-miking Amps, But I'd Have A Mic Out Around The Back, As Well, And Then Balance The Two. Also, You Shouldn't Have To Use Eq In The Studio If The Instruments Sound Right. You Should Be Able To Get The Right Tones Simply With The Science Of Microphone Placement.

The Greatest Satisfaction Is Not The Decoration. It Is Knowing That I Am Able To Help Someone Who Needs Help.

There's A Certain Standard In Classical Music That Allows The Application Of The Term "genius," But You're Treading On Thin Ice If You Start Applying It To Rock & Rollers.