When I Was Young, I Used To

If Something Inside Of You Is Real, We Will Probably Find It Interesting, And It Will Probably Be Universal. So You Must Risk Placing Real Emotion At The Center Of Your Work. Write Straight Into The Emotional Center Of Things. Write Toward Vulnerability. Risk Being Unliked. Tell The Truth As You Understand It. If You’re A Writer You Have A Moral Obligation To Do This. And It Is A Revolutionary Act—truth Is Always Subversive.

Grace Is The Light Or Electricity Or Juice Or Breeze That Takes You From That Isolated Place And Puts You With Others Who Are As Startled And Embarrassed And Eventually Grateful As You Are To Be There.

Then The Singing Enveloped Me. It Was Furry And Resonant, Coming From Everyone's Very Heart. There Was No Sense Of Performance Or Judgment, Only That The Music Was Breath And Food.

Quiet, Deep Breath After Any Prayer Is Another Form Of Amen.

Almost All Good Writing Begins With Terrible First Efforts. You Need To Start Somewhere. Start By Getting Something-anything-down On Paper. A Friend Of Mine Says That The First Draft Is The Down Draft-you Just Get It Down. The Second Draft Is The Up Draft-you Fix It Up. You Try To Say What You Have To Say More Accurately. And The Third Draft Is The Dental Draft, Where You Check Every Tooth, To See If It's Loose Or Cramped Or Decayed, Or Even, God Help Us, Healthy.