When I Read The Script It Was

I Personally Just Want To Do As Many Different Things As I Can Do, Whether It's Comedy, Drama, Science Fiction, Horror, Narrator... You've Got A Documentary, I've Got A Voice. Animated Films. Big Films, Small Films.

Girl Trouble, For Me, Is When You Fall In Love.

I Called Nic Pizzolatto And He Said, "no, No. You're In It The Whole Way Through." That Was Fun To Shoot [in The Lobster]. I Had A Few Scenes In That Show That Were Some Of My Favorite All-time Scenes To Be In.

I Do Have The Ability To Explore Life And To Be Over The Moon At The Smallest Thing - A Few Pints And A Craic In The Pub And I'm In Heaven. But I Have A Melancholy Side To Me As Well. Acting Allows Me To Feel Things, It Kind Of Buys Me Human Experience. And I Don't Mean This As Acting As Higher Cause, Because It's Not, But It Does Kind Of Have A Higher Awareness Emotionally.

At The End Of The Day, It's All One Version Of Telling A Story. I Treated This As If It Was A Two Million Dollar Independent Film. I Did A Lot More Physical Work Than I'd Probably Have To Do For A Two Million Dollar Independent Film With Four Months Of Training And Stuff. But As Far As The Character's Psychology Or Emotional Life Goes, I Treat It Just The Same.