When I Paint From A Photograph, Conscious

I See The Bomber Pictures As An Anti-war Statement... Which They Aren't - At All. Pictures Like That Don't Do Anything To Combat War. They Only Show One Tiny Aspect Of The Subject Of War - Maybe Only My Own Childish Feelings Of Fear And Fascination With War And With Weapons Of That Kind.

I Never Worked At Painting As If It Were A Job; It Was Always Out Of Interest Or For Fun, A Desire To Try Something.

Perhaps The Doors, Curtains, Surface Pictures, Panes Of Glass, Etc. Are Metaphors Of Despair, Prompted By The Dilemma That Our Sense Of Sight Causes Us To Apprehend Things, But At The Same Time Restricts And Partly Precludes Our Apprehension Of Reality.

My Work Has So Much To Do With Reality That I Wanted To Have A Corresponding Rightness. That Excludes Painting In Imitation.

Talk About Painting: There's No Point. By Conveying A Thing Through The Medium Of Language, You Change It. You Construct Qualities That Can Be Said, And You Leave Out The Ones That Can't Be Said But Are Always The Most Important.