When I Decide To Write A Story,

I See Screenwriting As A Bit Like A Math Equation Which I Have To Solve.

I Always Thought That In The Countries That The Modernity Kicks In Later, It Seems That Everything Changes On The Surface, The Physical Things Change, But Inside, Things Haven't Changed, Really. This Is Always The Challenge Of This Kind Of Community, To Make A Harmony Between The Cultural Traditions And The Modernity Of Modern Life.

The Fact That I Do Place Music At The End Of My Films Is Not To Accentuate The Emotion. It Serves An Opposite Purpose Which Is To Remove Them From The Emotional Space And Allow Them To Enter A Space Of Thinking, Because I Believe That When The Audience Is Watching The Film They're Watching It With Their Feelings.

When I Came To Know Theater, Drama Became Valuable To Me.

I Always Feel That A Viewer Has An Expectation About Every Moment Of The Film And Where It's Going, So If I Act Against That, I've Created A Twist. In Fact It Becomes A Kind Of Game With The Expectations Of The Viewer. This Is The Superficial Appearance. In The Layer Beneath There Is A Hidden Theme. The Result Of Each Twist Is That The Judgment Of The Audience Member Is Challenged.