Whatever Doesn't Kill You Leaves Scars.

The Shock Of Photographed Atrocities Wears Off With Repeated Viewings, Just As The Surprise And Bemusement Felt The First Time One Sees A Pornographic Movie Wear Off After One Sees A Few More.

The Danger, When Not Too Dangerous, Fascinate.

The Camera Can Be Lenient; It Is Can Also Expert At Being Cruel. But Its Cruelty Only Produces Another Kind Of Beauty, According To The Surrealist Preferences Which Rule Photographic Taste.

To Be An Artist Or A Writer Is To Be This Weird Thing - A Hand Worker In An Era Of Mass Production.

The Principal Instances Of Mass Violence In The World Today Are Those Committed By Governments Within Their Own Legally Recognized Borders.