What The Devil To Do With The

Let Me Formulate The Artistic Disposition As Follows: It Is Reacting With One's Ideal To The Flaw In Oneself And In The World, And Somehow Making That Reaction Formation Solid Enough In The Medium So That It Indeed Becomes An Improved Bit Of Real World For Others.

The Philosophic Aim Of Education Must Be To Get Each One Out Of His Isolated Class And Into The One Humanity.

Because Of Their Historical Theory Of The "alienation Of Labor" (that The Worker Must Become Less And Less In Control Of The Work Of His Hands) The Marxist Parties Never Fought For The Man-worthy Job Itself.

When A Village Ceases To Be A Community, It Becomes Oppressive In Its Narrow Conformity. So One Becomes An Individual And Migrates To The City. There, Finding Others Like-minded, One Re-establishes A Village Community. Nowadays Only New Yorkers Are Yokels.

An Awkward Consequence Of Heightening Experience When One Is Inexperienced, Of Self-transcendence When One Has Not Much World To Lose, Is That Afterward One Cannot Be Sure That One Was Somewhere Or Had Newly Experienced Anything. If You Aren't Much In The World, How Do You Know You Are "out Of This World"?