What I Have Tried To Do Is

I Realise That I Had The Best Of Serious Picture Journalism. There Was An Innocence In Our Approach, Especially In The 1950s And 1960s When We Naively Believed That By Holding A Mirror Up To The World We Could Help - No Matter How Little - To Make People Aware Of The Human Condition.

I Can't Hold A Camera Anymore.

I Found A Way Of Working Which Pleased Me Because I Didn’t Have To Frighten People With Heavy Equipment. It Was That Little Black Box And Me.

I Don't See Anybody As Either Ordinary Or Extraordinary. I See Them Simply As People In Front Of My Lens.

Themes Recur Again And Again In My Work.