What I Have Tried To Do Is

I Realise That I Had The Best Of Serious Picture Journalism. There Was An Innocence In Our Approach, Especially In The 1950s And 1960s When We Naively Believed That By Holding A Mirror Up To The World We Could Help - No Matter How Little - To Make People Aware Of The Human Condition.

I Think If I Ever Get Satisfied, I’ll Have To Stop. It’s The Frustration That Drives You.

If The Photographer Is Interested In The People In Front Of His Lens, And If He Is Compassionate, It's Already A Lot. The Instrument Is Not The Camera But The Photographer.

...if You Think Of Modern Art Like Sex In All Its Forms - Heterosexual, Bisexual, Homosexual, Multipartnered, Bestial, Whatever, With Absolutely No Holds Barred And With Everything Available And Permissible - That Would Be Modern Art.

If You Are Careful With People, They Will Offer You Part Of Themselves. That Is The Big Secret.