What Harbor Can Receive You More Securely

…we Can Not Love Or Think Except In Fragments Of Time Each Of Which Goes Along Its Own Trajectory And Immediately Disappears.

Perhaps Everything Lies In Knowing What Words To Speak, What Actions To Perform, And In What Order And Rhythm; Or Else Someone's Gaze, Answer, Gesture Is Enough; It Is Enough For Someone To Do Something For The Sheer Pleasure Of Doing It, And For His Pleasure To Become The Pleasure Of Others: At That Moment, All Spaces Change, All Heights, Distances; The City Is Transfigured, Becomes Crystalline, Transparent As A Dragonfly.

You Know That The Best You Can Expect Is To Avoid The Worst.

Fantasy Is Like Jam. . . . You Have To Spread It On A Solid Piece Of Bread. If Not, It Remains A Shapeless Thing . . . Out Of Which You Can’t Make Anything.

The Close-up Has No Equivalent In A Narrative Fashioned Of Words. Literature Is Totally Lacking In Any Working Method To Enable It To Isolate A Single Vastly Enlarged Detail In Which One Face Comes Forward To Underline A State Of Mind Or Stress The Importance Of A Single Detail In Comparison With The Rest. As A Narrative Device, The Ability To Vary The Distance Between The Camera And The Object May Be A Small Thing Indeed, But It Makes For A Notable Difference Between Cinema And Oral Or Written Narrative, In Which The Distance Between Language And Image Is Always The Same.