We've Come A Long Way, From Where

I Always Want Another Actor To Shine In My Scene Because It Makes The Film Stronger. I Would Encourage People To Scene Steal, Because Filmmaking Is A Collaborative Effort.

My Gut Feeling About Sequels Is That They Should Be Premeditated: You Should Try To Write A Trilogy First Or At Least Sketch Out A Trilogy If You Have Any Faith In Your Film.

If I'm On Set And I'm In Character, I'm Not Thinking Like A Producer. If I'm On Set And I'm Not In Character, Wardrobe And Make-up, And I'm Just Coming On Set For The Moments That I'm Not Shooting, Then I'm Able To Be The Producer.

You Get A Timeless Cool Card In New York.

Well, Love Motivates Me In Everything I Do.