We're The Last Billionth Of A Second

When I Work I Have A Sculptor's Sense Of The Shape Of The Words I'm Making. I Use A Machine With Larger Than Average Letters: The Bigger The Better.

People Will Not Die. Isn't This The Creed Of The New Culture? People Will Be Absorbed In Streams Of Information. I Know Nothing About This. Computers Will Die. They're Dying In Their Present Form. They're Just About Dead As Distinct Units.

Every Sentence Has A Truth Waiting At The End Of It And The Writer Learns How To Know It When He Finally Gets There. On One Level This Truth Is The Swing Of The Sentence, The Beat And Poise, But Down Deeper It's The Integrity Of The Writer As He Matches With The Language. I've Always Seen Myself In Sentences. I Begin To Recognize Myself, Word By Word, As I Work Through A Sentence. The Language Of My Books Has Shaped Me As A Man. There's A Moral Force In A Sentence When It Comes Out Right. It Speaks The Writer's Will To Live.

In This Century The Writer Has Carried On A Conversation With Madness. We Might Almost Say Of The Twentieth-century Writer That He Aspires To Madness. Some Have Made It, Of Course, And They Hold Special Places In Our Regard. To A Writer, Madness Is A Final Distillation Of Self, A Final Editing Down. It's The Drowning Out Of False Voices.

I've Never Made An Outline For Any Novel That I've Written. Never.