We're Lucky To Be Making Films. My

People Make Decisions That May Have One Intent And Yet Are Somehow Perverted Into Something Else. And Sometimes It's Because Of Design. Sometimes It's Because Of Happenstance. But Very Often, It's Mysterious To Them.

Working On The Themes I Was Interested In, Through The Context Of A Particular Family, Was A Very Economical Way Of Dealing With A Lot Of The Issues I Was Concerned With.

I Think Entire Social Groups Are Formed Through Technologies That Could Never Exist In The Real World, And Relationships That Are A Function Of These Technologies' Ability To Accelerate Feeling And Emotional Contact.

Though I Am Still Very Vulnerable To Audiences—and It Happens All The Time - Where For Some Reason The Energy Doesn’t Connect And, Since The Film Is Very Personal, Obviously I Am Made To Feel Very Vulnerable By That.

You Can Talk About Holocaust Denial, But It's Really Marginal For The Most Part. What Is Compelling About The Armenian Genocide, Is How It Has Been Forgotten.