Weird Love's Better Than No Love At

The Writer's Original Perception Of A Character Or Characters May Be As Erroneous As The Reader's.

Must You Write Complete Sentences Each Time, Every Time? Perish The Thought. If Your Work Consists Only Of Fragments And Floating Clauses, The Grammar Police Aren't Going To Come And Take You Away. Even William Strunk, That Mussolini Of Rhetoric, Recognized The Delicious Pliability Of Language. "it Is An Old Observation," He Writes, "that The Best Writers Sometimes Disregard The Rules Of Rhetoric." Yet He Goes On To Add This Thought, Which I Urge You To Consider: "unless He Is Certain Of Doing Well, [the Writer] Will Probably Do Best To Follow The Rules."

I Was Being Paid To Do What I Loved, And There's No Gig On Earth Better Than That; It's Like A License To Steal.

There Are All Sorts Of Theories And Ideas About What Constitutes A Good Opening Line. It's Tricky Thing, And Tough To Talk About Because I Don't Think Conceptually While I Work On A First Draft -- I Just Write. To Get Scientific About It Is A Little Like Trying To Catch Moonbeams In A Jar. But There's One Thing I'm Sure About. An Opening Line Should Invite The Reader To Begin The Story. It Should Say: Listen. Come In Here. You Want To Know About This.

Life Turns On A Dime.