Weird Doors Open. People Fall Into Things.

In Japanese And Italian, The Response To ["how Are You?"] Is "i'm Fine, And You?" In German It's Answered With A Sigh And A Slight Pause, Followed By "not So Good.

In Order To Get The Things I Want, It Helps Me To Pretend I’m A Figure In A Daytime Drama, A Schemer. Soap Opera Characters Make Emphatic Pronouncements. They Ball Up Their Fists And State Their Goals Out Loud. ‘i Will Destroy Buchanan Enterprises,’ They Say. ‘phoebe Wallingford Will Pay For What She’s Done To Our Family.’ Walking Home With The Back Half Of The Twelve-foot Ladder, I Turned To Look In The Direction Of Hugh’s Loft. ‘you Will Be Mine,’ I Commanded.

The Rabbit Of Easter. He Bring Of The Chocolate.

I Had Paid For My Folly And, As A Reward, Was Invited To Take Part In The Nest Builder’s Performance Piece. The Script Was Great. ‘when I Bleat Here, Do You Want Me To Just Bleat Or To Really Let Go And “bleat, Bleat”?’ I Asked. ‘i Feel Like “bleat, Bleating,” But If Mother/destroyer Is Going To Be Crawling Through The Birth Canal Of Concertina Wire, I Don’t Want To Steal Focus, You Know What I Mean?

Paul Rudnick Is A Champion Of Truth (and Love And Great Wicked Humor) Whom We Ignore At Our Peril.