We Worked Six Days A Week [on The The Breakfast Club], So You Have One Day Off. So On That Saturday Night, It's Not Like We Could All Go Out And Have A Drink Because Molly [ringwald ] And Michael [hall] Weren't Old Enough. And Ally [sheedy] Pretty Much Kept To Herself. So Emilio And I, Every Saturday Night, Would Go Into Chicago Because We Were Shooting Outside Of Chicago In Des Plaines. It's So Funny, Because Even Though We Might Be Adversaries In The Film, We Certainly Weren't Off-camera. He's A Very Funny Guy.

-Judd Nelson

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We Worked Six Days A Week [on

Judd Nelson

We Worked Six Days A Week [on The The Breakfast Club], So You Have One Day Off. So On That Saturday Night, It's Not Like We Could All Go Out And Have A Drink Because Molly [ringwald ] And Michael [hall] Weren't Old Enough. And Ally [sheedy] Pretty Much Kept To Herself. So Emilio And I, Every Saturday Night, Would Go Into Chicago Because We Were Shooting Outside Of Chicago In Des Plaines. It's So Funny, Because Even Though We Might Be Adversaries In The Film, We Certainly Weren't Off-camera. He's A Very Funny Guy.

Topic

Night

Guy

One Day

It's More Like The Inner Workings Of John Bender. He Feels Like He's Been Given A Short Shrift, He's Not Been Provided The Opportunities That Maybe These Other Kids Have. So He Feels Like He Begins In A Hole. And Instead Of Trying To Raise Himself Up, He Wants To Bring All Of Them Down. That's A Dynamic That's Pretty Universal. And So That Was The Real Foothold On That. It Wasn't Like, "oh, My High School Experience Is Like John Bender's [in St. Elmo's Fire]."

Real

School

Kids