We Still And Always Want Waking.

No, The Point Is Not Only Does Time Fly And Do We Die, But That In These Reckless Conditions We Live At All, And Are Vouchsafed, For The Duration Of Certain Inexplicable Moments, To Know It.

Our Life Is A Faint Tracing On The Surface Of Mystery, Like The Idle Curved Tunnels Of Leaf Miners On The Face Of A Leaf. We Must Somehow Take A Wider View, Look At The Whole Landscape, Really See It, And Describe What's Going On Here. Then We Can At Least Wail The Right Question Into The Swaddling Band Of Darkness, Or, If It Comes To That, Choir The Proper Praise.

I Am A Frayed And Nibbled Survivor In A Fallen World, And I Am Getting Along. I Am Aging And Eaten And Have Done My Share Of Eating Too. I Am Not Washed And Beautiful, In Control Of A Shining World In Which Everything Fits, But Instead Am Wondering Awed About On A Splintered Wreck I've Come To Care For, Whose Gnawed Trees Breathe A Delicate Air, Whose Bloodied And Scarred Creatures Are My Dearest Companions, And Whose Beauty Bats And Shines Not In Its Imperfections But Overwhelmingly In Spite Of Them.

There Are No Events But Thoughts And The Heart's Hard Turning, The Heart's Slow Learning Where To Love And Whom. The Rest Is Merely Gossip, And Tales For Other Times.

Write About Winter In The Summer. Describe Norway As Ibsen Did, From A Desk In Italy; Describe Dublin As James Joyce Did, From A Desk In Paris. Willa Cather Wrote Her Prairie Novels In New York City; Mark Twain Wrote Huckleberry Finn In Hartford, Connecticut. Recently, Scholars Learned That Walt Whitman Rarely Left His Room.