We Live In An Age In Which

This Is A Photograph, So It Is As You See: There Are No Lies And No Deceptions. One Can Detect Here, Elevated To An Incomparably Higher Level, The Same Pathetic Emotional Appeal That Lies Concealed In Every Fake Spiritualist Photograph, Every Pornographic Photograph; One Comes To Suspect That The Strange, Disturbing Emotional Appeal Of The Photographic Art Consists Solely In That Same Repeated Refrain: This Is A True Ghost... This Is A Photograph, So It Is As You See: There Are No Lies, No Deceptions.

He Had Never Looked Forward To The Wisdom And Other Vaunted Benefits Of Old Age. Would He Be Able To Die Young—and If Possible Free Of All Pain? A Graceful Death—as A Richly Patterned Kimono, Thrown Carelessly Across A Polished Table, Slides Unobtrusively Down Into The Darkness Of The Floor Beneath. A Death Marked By Elegance.

Real Danger Is Nothing More Than Just Living. Of Course, Living Is Merely The Chaos Of Existence, But More Than That It's A Crazy Mixed-up Business Of Dismantling Existence Instant By Instant To The Point Where The Original Chaos Is Restored, And Taking Strength From The Uncertainty And The Fear That Chaos Brings To Re-create Existence Instant By Instant. You Won't Find Another Job As Dangerous As That. There Isn't Any Fear In Existence Itself, Or Any Uncertainty, But Living Creates It.

To See Human Beings In Agony, To See Them Covered In Blood And To Hear Their Death Groans, Makes People Humble. It Makes Their Spirits Delicate, Bright, Peaceful. It's Never At Such Times That We Become Cruel Or Bloodthirsty. No, It's On A Beautiful Spring Afternoon Like This That People Suddenly Become Cruel. It's At A Moment Like This, Don't You Think, While One's Vaguely Watching The Sun As It Peeps Through The Leaves Of The Trees Above A Well-mown Lawn? Every Possible Nightmare In The World, Every Possible Nightmare In History, Has Come Into Being Like This.

There Isn't Any Fear In Existence Itself, Or Any Uncertainty, But Living Creates It.