We Have To Articulate Ourselves. Otherwise We

I Must Say, The People Who Started This Whole Masterclass Series Have Been Very Helpful And Very Intelligent To Point Out Certain Things And Also Give Me Some Guidance, "isn't There Something Missing, Shouldn't We Address This Or That?" So It's Not Completely Alone Out Of The Blue. It's Very Well Thought Through.

[ Digital Revolution ] Only Has Allowed Me To Work Faster, Editing Digitally, Which I'm Doing Right Now, A Film On Volcanoes. I Can Edit Almost As Fast As I'm Thinking, Editing With Celluloid Means Always Searching For This Little Reel Of Film, And Number It, And Scribble On It With Some Sort Of Pens, And Gluing It Together, And Working On A Flatbed. It's Much, Much Slower.

Otherwise [digital Revolution] Hasn't Changed My Way Of Filmmaking, I'm Not Nostalgic In Postulating We Should Still Make Films On Celluloid. I Love Celluloid But I Don't Need To Continue On Celluloid.

Because You're Delegated To A Cook Book Recipe And You Slavishly And Pedantically Rely On It While You're Shooting And You're Not Relying On Your Creative Instincts And You're Not Relying On Something Which Brings Life Into Movies And Excitement Into It.

I Have Always Postulated That We Have To Find A New Way To Deal With Reality. It's Not So Much Facts That Interest Me, But A Deeper Truth In Them - An Ecstasy Of Truth, An Ecstatic Truth That Illuminates Us. That's What I've Been After.