We Had Such A Wonderful Set Of

I Think It Was Around The Time Of Doing Those Shorts. [producer] Christine Vachon, I Had A Meeting With Her, And She Mentioned The Short, This Aol Short, And Asked If I Wanted To Do One. And Then The Next Step Was The "30 For 30," And Again That Boosted My Confidence Enough To Decide I'm Going To Do A Feature Narrative. And I Was Supported By My Agency, And [producer] Jane Rosenthal Has Been An Exceptional Friend, And She Produced "all We Had," She Encouraged Me To Do The "30 For 30."

We Didn't Have The Time To Watch Playback All The Time So I Depended On My Team [all We Had].

You Go In Thinking You Have To Do This All By Yourself, And What I Learned Was No, When You Hire Great People, They Do So Much For You.

My Norm For Watching Scary Movies, What I Love About It, Is When They Work And They Scare Me, Which Is Not That Often I'm Afraid. The More You Know The Genre, Your Taste Becomes A Little More Rarefied And You Take A Very Particular Route To The Type Of Movies You Like In The Genre. But I Still Get Scared.

What I Love About Watching Classic Horror Films Is That They Take You On A Ride And They Obviously Make You Scared Because You're So Invested In The Characters, You're Almost Forgetting That Oh My God, This Is About To Scare Me.