Visiting A Museum Is A Matter Of

Language Thus Becomes Monumental Because Of The Mutations Of Advertising

A Camera Is Wild In Just About Anybody's Hands, Therefore One Must Set Limits. But Cameras Have A Life Of Their Own. Cameras Care Nothing About Cults Or Isms. They Are Indifferent Mechanical Eyes, Ready To Devour Anything In Sight. They Are Lenses Of The Unlimited Reproduction.

When A Finished Work Of 20th Century Sculpture Is Placed In An 18th Century Garden, It Is Absorbed By The Ideal Representation Of The Past, Thus Reinforcing Political And Social Values That Are No Longer With Us

A Vacant White Room With Lights Is Still A Submission To The Neutral. Works Of Art Seen In Such Spaces Seem To Be Going Through A Kind Of Esthetic Convalescence.

Language Should Find Itself In The Physical World, And Not End Up Locked In An Idea In Somebody's Head