Unless It's Done Superbly, As In The

I Have Tried To Preserve In My Relationship To The Film The Same Closeness And Intimacy That Exists Between A Painter And His Canvas.

Animation Is Not The Art Of Drawings That Move But The Art Of Movements That Are Drawn.

The Number Of Strokes To The Inch Controls The Pitch Of The Note: The More, The Higher The Pitch; The Fewer, The Lower The Pitch, The Size Of The Stroke Controls The Loudness... The Tone Quality Is The Most Difficult Element To Control, It Is Made By The Shape Of The Strokes.

By Drawing Or Exposing Two Or More Patterns On The Same Bit Of Film I Can Create Harmony And Textual Effects.

The Good Moral Work Of Art Should Have All The Qualities That A Good Amoral Work Of Art Should Have, Such As Formal Unity, Balance, Contrast, And A Sensitivity To The Material Out Of Which It Is Made.