Under The Rule Of A Repressive Whole,

In The Form Of The Oeuvre, The Actual Circumstances Are Placed In Another Dimension Where The Given Reality Shows Itself As That Which It Is. Thus It Tells The Truth About Itself; Its Language Ceases To Be That Of Deception, Ignorance, And Submission. Fiction Calls The Facts By Their Name And Their Reign Collapses; Fiction Subverts Everyday Experience And Shows It To Be Mutilated And False.

The Happy Consciousness Is Shaky Enough A Thin Surface Over Fear, Frustration, And Disgust.

One-dimensional Thought Is Systematically Promoted By The Makers Of Politics And Their Purveyors Of Mass Information. Their Universe Of Discourse Is Populated By Self-validating Hypotheses Which, Incessantly And Monopolistically Repeated, Become Hyponotic Definitions Of Dictations.

The Ontological Concept Of Truth Is In The Centre Of A Logic Which May Serve As A Model Of Pre- Technological Rationality. It Is The Rationality Of A Two-dimensional Universe Of Discourse Which, Contrasts With The Of Thought And Behavior That Develop In The Execution Of The Technological Project.

[art] Can Speak Its Own Language Only As Long As The Images Are Alive Which Refuse And Refute The Established Order.