Ultimately, Photography Is Subversive, Not When It

L'amoureux Qui N'oublie Pas Quelquefois Meurt Par Exce' S, Fatigue Et Tension De Me Moire (tel Werther). The Lover Who Does Not Forget Sometimes Dies From Excess, Fatigue, And The Strain Of Memory (like Werther).

Who Speaks Is Not Who Writes, And Who Writes Is Not Who Is.

But I Never Looked Like That!’ - How Do You Know? What Is The ‘you’ You Might Or Might Not Look Like? Where Do You Find It - By Which Morphological Or Expressive Calibration? Where Is Your Authentic Body? You Are The Only One Who Can Never See Yourself Except As An Image; You Never See Your Eyes Unless They Are Dulled By The Gaze They Rest Upon The Mirror Or The Lens (i Am Interested In Seeing My Eyes Only When They Look At You): Even And Especially For Your Own Body, You Are Condemned To The Repertoire Of Its Images.

The Text Is Not A Definitive Object.

Each Photograph Is Read As The Private Appearance Of Its Referent: The Age Of Photography Corresponds Precisely To The Explosion Of The Private Into The Public, Or Rather Into The Creation Of A New Social Value, Which Is The Publicity Of The Private: The Private Is Consumes As Such, Publicly.