To Sense The Invisible And To Be

Color Is A Plastic Means Of Creating Intervals... Color Harmonics Produced By Special Relationships, Or Tensions. We Differentiate Now Between Formal Tensions And Color Tensions, Just As We Differentiate In Music Between Counterpoint And Harmony.

It Makes No Difference Whether A Work Is Naturalistic Or Abstract; Every Visual Expression Follows The Same Fundamental Laws

To Experience Visually, And To Transform Our Visual Experience Into Plastic Terms, Requires The Faculty Of Empathy.

I Can't Understand How Anyone Is Able To Paint Without Optimism.

The Width Of A Line May Present The Idea Of Infinity. An Epigram May Contain A World. In The Same Way, A Small Picture Format May Be Much More Living, Much More Leavening, Stirring, Awakening, Than Square Yards Of Wall Space.