To Paint Is To Love Again, And

For A Hundred Years Or More The World, Our World, Has Been Dying. And Not One Man, In These Last Hundred Years Or So, Has Been Crazy Enough To Put A Bomb Up The Asshole Of Creation And Set It Off. The World Is Rotting Away, Dying Piecemeal. But It Needs The Coup De Grace, It Needs To Be Blown To Smithereens. Not One Of Us Is Intact, And Yet We Have In Us All The Continents And The Seas Between The Continents And The Birds Of The Air. We Are Going To Put It Down ― The Evolution Of This World Which Has Died But Which Has Not Been Buried.

We Are Dancing In The Hollow Of Nothingness. We Are One Flesh, But Separated Like Stars.

I Saw Through To The Last Sign And Symbol, But I Could Not Read Her Face. I Could See Only The Eyes Shining Through, Huge, Fleshy-like Luminous Beasts, As Though I Were Swimming Behind Them In The Electric Effluvia Of Her Incandescent Vision.

One Can See Now How The Idea Of Heaven Takes Hold Of Men's Consciousness, How It Gains Ground Even When All The Props Have Been Knocked From Under It. There Must Be Another World Beside This Swamp In Which Everything Is Dumped Pell-mell. It's Hard To Imagine What It Can Be Like, This Heaven That Men Dream About.

No, There's Fifteen Francs Somewhere, Which Nobody Gives A Damn About Anymore And Which Nobody Is Going To Get In The End Anyhow, But The Fifteen Francs Is Like The Primal Cause Of Things And Rather Than Listen To One's Own Voice, Rather Than Walk Out On The Primal Cause, One Surrenders To The Situation, One Goes On Butchering And Butchering And The More Cowardly One Feels The More Heroically Does He Behave, Until A Day When The Bottom Drops Out And Suddenly All The Guns Are Silenced And The Stretcher-bearers Pick Up The Maimed And Bleeding Heroes And Pin Medals On Their Chest.