To Feel. To Trust The Feeling. I

Tarkovsky For Me Is The Greatest [director], The One Who Invented A New Language, True To The Nature Of Film, As It Captures Life As A Reflection, Life As A Dream.

I Liked Truffaut A Lot, I've Felt A Lot Of Admiration For His Way To Address The Audience, And His Storytelling.... La Nuit Américaine Is Adorable, And Another Film I Like To See Is L'enfant Sauvage, With Its Fine Humanism.

I Am So 100 Percent Swedish... Someone Has Said A Swede Is Like A Bottle Of Ketchup - Nothing And Nothing And Then All At Once - Splat. I Think I'm A Little Like That.

When We Experience A Film, We Consciously Prime Ourselves For Illusion. Putting Aside Will And Intellect, We Make Way For It In Our Imagination. The Sequence Of Pictures Plays Directly On Our Feelings. Music Works In The Same Fashion; I Would Say That There Is No Art Form That Has So Much In Common With Film As Music. Both Affect Our Emotions Directly, Not Via The Intellect. And Film Is Mainly Rhythm; It Is Inhalation And Exhalation In Continuous Sequence.

We Worked On 'fanny And Alexander' For Seven Months And It Was An Amusing Production. Still, It Was Very Long And Heavy And So Awfully Complicated, .. And When The Premiere Was Over And Everything Went Well, I Thought, 'that's That.' .