They're The Darkest People I Know, Comedians.

When You Find Theater Writing Like In The Theater On Film But It's Realistic, It Doesn't Matter Who The Character Is, You Want To Do It.

I've Become Obsessed With Learning Other Languages In Movies, Because I Was Like, Since I Was Like, But I Learned How To Box So Why Don't I Just Learn Another Language For A Movie?

Working With Jim Sheridan For Instance, We Did This Movie Brothers. Jim Will Ask Anybody - We'll Get A Delivery On Set, And Like The Poor Delivery Guy Will Be Like, "here's Your Pizza," And He'll Be Like, "come Over Here. Come Here. I Want To Ask You A Question. Do You Think This Is Real? What Do You Think? Should We Do Another Take?" And They're Like, "i, Uh, You Want Your Pizza?" There's No Shame In Everybody's Ideas. There's No Shame In Somebody Not Knowing.

I Can't Not Have Something Attached To Like What Actually Happens In Real Life. Like I Can't Do A Romantic Comedy Without There Being Something Where Like, In The Case Of Annie Hathaway's Character, Her Character Ends Up Having Parkinson's, You Know? To Me, I Feel Like That's Love, You Know? Like To Me. So Every Movie Has To Have That Kind Of Sense Of That.

When I Look At That Now, All I Think About Is What A Master [david Fincher] I Was Working With, And All Of The Things I Could Have Watched And Learned - And I Didn't. And How, Now, In My Career, How I Would Love To Have A Ton Of Takes.