These Pictures Possibly Give Rise To Questions

I Choose Depending On The Way I Feel; Randomly, In Other Words. When I Haven't Done Anything For A Long Time, I Always Start Small, On Paper.

Abstract Pictures Are Fictive Models, Because They Make Visible A Reality That We Can Neither See Nor Describe, But Whose Existence We Can Postulate.

Turning To The Colour-classification Methodology: The Starting Point Are The Four Pure Colours Red, Yellow, Green And Blue; Their In-between Shades And Scales Of Brightness Result In Colour Schemes Containing 16, 64, 256 And 1,024 Shades. More Colours Would Be Pointless Because It Wouldn't Be Possible To Distinguish Between Them Clearly.

The Paint For The Grey Paintings Was Mixed Beforehand And Then Applied With Different Implements - Sometimes A Roller, Sometimes A Brush. It Was Only After Painting Them That I Sometimes Felt That The Grey Was Not Yet Satisfactory And That Another Layer Of Paint Was Needed.

And Then The Work Bears A Strong Sense Of Leave-taking For Me Personally. It Ends The Work I Began In The 1960s (paintings From Black-and-white Photographs), With A Compressed Summation That Precludes Any Possible Continuation. And So It Is A Leave-taking From Thoughts And Feelings Of My Own On A Very Basic Level. Not That This Is A Deliberate Act, Of Course; It Is A Quasi-automatic Sequence Of Disintegration And Reformation Which I Can Perceive, As Always, Only In Retrospect.