There Is Nothing In The Dark That

The Tendency When You Dictate Is To Overwrite, Because You're Not Counting Pages, You Don't Really Know What The Hell The Page Count Is.

This Is, If Not A Lifetime Process, It's Awfully Close To It. The Writer Broadens, Becomes Deeper, Becomes More Observant, Becomes More Tempered, Becomes Much Wiser Over A Period Time Passing. It Is Not Something That Is Injected Into Him By A Needle. It Is Not Something That Comes On A Wave Of Flashing, Explosive Light One Night And Say, 'huzzah! Eureka! I've Got It!' And Then Proceeds To Write The Great American Novel In Eleven Days. It Doesn't Work That Way. It's A Long, Tedious, Tough, Frustrating Process, But Never, Ever Be Put Aside By The Fact That It's Hard.

I Guess Requiem For A Heavyweight As Old As It Is Was As Honest A Piece As I've Ever Done.

There's A Marvelous And Unique Man Named Frank Gilroy. He's The Only Writer I Know Who Absolutely, Pointedly Refuses To Do Any Changes That He Doesn't Feel Are Absolutely Essential And Totally In Keeping With His Own View And Perspective. But Not Too Many Writers Are That Independent And That Strong-willed.

In Eleven Or Twelve Years Of Writing, Mike, I Can Lay Claim To At Least This: I Have Never Written Beneath Myself. I Have Never Written Anything That I Didn't Want My Name Attached To. I Have Probed Deeper In Some Scripts And I've Been More Successful In Some Than Others. But All Of Them That Have Been On, You Know, I'll Take My Lick. They're Mine And That's The Way I Wanted Them.