There Is Not A Lot Of Separation

What I Find Interesting Is This Ricochet Effect, That The Audience Perceives The Work And Then Does Something With It, Throws It Back To The World, And There's An Ongoing Interaction Between Work And Audience, Which Doesn't Belong To The Artist Anymore - From The Moment You Release It, It Doesn't Belong To Anybody.

A Film Is Not A Documentary. And What's Wonderful About Film Is That It's A Real Provocation For People. I Never, Ever See Film As Being An Absolute Version Of The Truth.

I Much Prefer A Natural Approach To Beauty. You Know, Coco Chanel Always Said To Take One Thing Off Before You Leave The House, And I Think That Also Applies To Makeup.

Some Days I'm Very Lazy, And Some Days I'm More Inspired. I've Got Things I've Had Since I Was Fifteen - I Don't Throw Anything Away. I Prefer To Give It To A Friend So I Can Wear It Again...the Way I Dress Doesn't Necessarily Have To Do With Fashion, Or What Is Current, Or What Is In Right Now, It's More About Rediscovering Things.

With A Role Like Hedda Gabler, Which Is Incredibly Complicated, You Often Feel That You Haven't Even Scratched The Surface The First Time Around, So You Relish The Opportunity To Do It Again, Particularly With An Ensemble Of Actors And The Company We Assembled. But When You Do That In Films You Somehow Have To Make Some Attempt To Uncross People's Arms And You Have To Justify Why You're Doing It.