There Is No Such Thing As Good

A Picture Lives By Companionship, Expanding And Quickening In The Eyes Of The Sensitive Observer. It Dies By The Same Token. It Is Therefore Risky To Send It Out Into The World. How Often It Must Be Impaired By The Eyes Of The Unfeeling And The Cruelty Of The Impotent.

Look, It's My Misery That I Have To Paint This Kind Of Painting, It's Your Misery That You Have To Love It, And The Price Of The Misery Is Thirteen Hundred And Fifty Dollars.

I Also Hang The Pictures Low Rather Than High, And Particularly In The Case Of The Largest Ones, Often As Close To The Floor As Is Feasible, For That Is The Way They Are Painted.

The Reason For My Painting Large Canvases Is That I Want To Be Intimate And Human. To Paint A Small Picture Is To Place Yourself Outside Your Experience, To Look Upon An Experience As A Stereopticon View Or With A Reducing Glass. However You Paint The Larger Picture, You Are In It. It Isn't Something You Command.

If You Are Moved Only By The Color Relationships, Then You Miss The Point.