There Is A Sense In Which A

What I’ve Learned Along The Way Is That Existence Is Cosmic Theatre, But Paradoxically, We Should Play Our Roles To The Absolute Best Of Our Ability While Having The Wisdom Not To Take Them Too Seriously.

Once, In A Spasm Of Sappiness, You Asked Q-jo If She Thought Your Dreams Would Ever Come True. 'you Aren't Talking About Dreams,' She Corrected You, 'you're Referring To Your Pathetic Bourgeoisie Ambitions. Dreams Don't Come True. Dreams Are True.

I Don't Have A Very High Opinion, Actually, Of The World Of Criticism - Or The Practice Of Criticism. I Think I Admire Art Criticism, Criticism Of Painting And Sculpture, Far More Than I Do That Of Say Films And Books, Literary Or Film Criticism. But I Don't Much Like The Practice. I Think There Are An Awful Lot Of Bad People In It.

The Principal Difference Between An Adventurer And A Suicide Is That The Adventurer Leaves Himself A Margin Of Escape (the Narrower The Margin The Greater The Adventure), A Margin Whose Width And Length May Be Determined By Unknown Factors But Whose Navigation Is Determined By The Measure Of The Adventurer's Nerve And Wits. It Is Exhilarating To Live By One's Nerves Or Toward The Summit Of One's Wits.

The Trouble With The Fast Lane Is That All The Movement Is Horizontal. And I Like To Go Vertical Sometimes.