There Are So Many Moments And Works

It's Hard For Me To Understand How Working-class People Support Themselves.

I Think There Are Different Ways Of Being Rigorous, And I Am Asking People To Be As Rigorous In Their Pleasure As In Their Criticism.

I Think That The Exactitude Of The Photograph Has A Sort Of Compelling Nature Based In Its Power To Duplicate Life. But To Me The Real Power Of Photography Is Based In Death: The Fact That Somehow It Can Enliven That Which Is Not There In A Kind Of Stultifying Frightened Way, Because It Seems To Me That Part Of One's Life Is Made Up Of A Constant Confrontation With One's Own Death.

Things Change And Work Changes. Right Now I Like The Idea Of Enveloping A Space And Getting Messages Across That Connect To The World In Ways That Seem Familiar But Are Different.

I Think What I'm Trying To Do Is Create Moments Of Recognition. To Try To Detonate Some Kind Of Feeling Or Understanding Of Lived Experience.