There Are No Amateurs In The World

Every Sentence Has A Truth Waiting At The End Of It And The Writer Learns How To Know It When He Finally Gets There. On One Level This Truth Is The Swing Of The Sentence, The Beat And Poise, But Down Deeper It's The Integrity Of The Writer As He Matches With The Language. I've Always Seen Myself In Sentences. I Begin To Recognize Myself, Word By Word, As I Work Through A Sentence. The Language Of My Books Has Shaped Me As A Man. There's A Moral Force In A Sentence When It Comes Out Right. It Speaks The Writer's Will To Live.

Every Advance In Knowledge And Technique Is Matched By A New Kind Of Death, A New Strain. Death Adapts, Like A Viral Agent.

I'm A Novelist, Period. An American Novelist.

He Took Pains To Avoid Self-depreciation, Self-mockery, Ambiguity, Irony, Subtlety, Vulnerability, A Civilized World-weariness And A Tragic Sense Of History--the Very Things, He Says, That Are Most Natural To Him.

Her Death Would Leave Me Scattered, Talking To Chairs And Pillows. Don't Let Us Die, I Want To Cry Out To That Fifth-century Sky Ablaze With Mystery And Spiral Light. Let Us Both Live Forever, In Sickness And Health, Feebleminded, Doddering, Toothless, Liver-spotted, Dim-sighted, Hallucinating. Who Decides These Things? What Is Out There? Who Are You?