Crazy People Don't Sit Around Wondering If

When You Find Theater Writing Like In The Theater On Film But It's Realistic, It Doesn't Matter Who The Character Is, You Want To Do It.

I Think It's More, At Least At The Time, A Sense Of Abstraction. My Mind Doesn't Really Work In A Way Where There's A Definitive Sense Of Something. I Go One Way And Then It Opens Up Into A Million Different Ideas, And Somehow, When You Look At The Art, Buddhist Art, Or Particularly Tibetan Art, You Know, It's A Similar Thing. All Of A Sudden There Are A Million Lotus Leaves And You're Following One To The Next And To Another, And I Related To That, And It Felt Simple And Easy To Me. And It Made Me Feel Smart.

I Don't Want To Be Lofty When I Say This, But I Don't Know What A Success Is Any More. I Know How We Define It, But That Was A Moment Where I Went, "wait, Who Am I?" You Could Feel The Business, In Particular, Kind Of Go "he's All Right, Let's Go Over Here." I Started To Go, "wait, I Know Why I Love To Do This." I Think I Got Off Track In Why I Love To Do It.

A Separation Is Another Film That I Think Is Extraordinary, And One Of Those Things That Feels Like It's From Another Planet, Much Like Terrence Malick's Movies Did: At A Certain Point, You Feel Like He's An Alien From Another Planet Telling Us And Looking At Us And Showing Us How We Are. I Also Really, Really Love Jerry Mcguire.

I Hope That When The World Comes To An End, I Can Breathe A Sigh Of Relief, Because There Will Be So Much To Look Forward To