The World Is Indeed Comic, But The

Good Art Means The Ability Of Any One Man To Pin Down In Some Permanent And Intelligible Medium A Sort Of Idea Of What He Sees In Nature That Nobody Else Sees. In Other Words, To Make The Other Fellow Grasp, Through Skilled Selective Care In Interpretative Reproduction Or Symbolism, Some Inkling Of What Only The Artist Himself Could Possibly See In The Actual Objective Scene Itself.

There Are Not Many Persons Who Know What Wonders Are Opened To Them In The Stories And Visions Of Their Youth; For When As Children We Listen And Dream, We Think But Half-formed Thoughts, And When As Men We Try To Remember, We Are Dulled And Prosaic With The Poison Of Life.

Who Knows The End? What Has Risen May Sink, And What Has Sunk May Rise. Loathsomeness Waits And Dreams In The Deep, And Decay Spreads Over The Tottering Cities Of Men.

It Is Because The Cosmos Is Meaningless That We Must Secure Our Individual Illusions Of Values, Direction, And Interest By Upholding The Artificial Streams Which Give Us Such Worlds Of Salutary Illusion. That Is - Since Nothing Means Anything In Itself, We Must Preserve The Proximate And Arbitrary Background Which Makes Things Around Us Seem As If They Did Mean Something.

Because We Remember Pain And The Menace Of Death More Vividly Than Pleasure, And Because Our Feelings Toward The Beneficent Aspects Of The Unknown Have From The First Been Captured And Formalised By Conventional Religious Rituals, It Has Fallen To The Lot Of The Darker And More Maleficent Side Of Cosmic Mystery To Figure Chiefly In Our Popular Supernatural Folklore.