The Western, When I Do One, Will

The Boogeyman Is Your Conscience. The Boogeyman Is The Result Of Your Own Bad Behavior. I Love This Boogeyman.

My Father Was Very Political. But He Told Me, "be Very Careful When You Get Into Politics, Because There's No Black And White. There's An In-between In Everything. So Look At That Side, Don't Take One Point, Because Then You Are Negating Half Of The Other People. Try To Find The Logic On A Problem, Something That You Believe, And Take The Position That You Believe, But Be Very Careful About It." So I Was Very Well Trained In That Aspect.

Anyone Can Write A Story Based On The Kind Of Horror Where You See A Guy In Car And Then There's The Bad Guy In The Back Seat. It's Infantile To Rely On That For Telling A Story. That's Like Going To Bed And Thinking There's A Monster Under Your Bed. It's Silly.

Eventually I Would Like To Touch All The Genres. I Would Like To Do Some Detective Stories, And I Want To Do A Western. I Would Want To Do Humorous Westerns.

A Comic Book Is The Opposite Of A Cartoon. In A Cartoon, You Want To Simplify The Idea, So When They Look At It At A Glance, They Get It. Boom. Simple. Direct To The Point. But When You're Drawing Groo, Now It's A Narrative, A Story. You Want The Viewer To Get Involved In The Story. You Want Him To Feel Like He's In The Town To Follow Your Main Character. So I Love To Add Lots And Lots Of Things In It. Things That People Will Enjoy Going Back To And Say, "oh Yeah, That's How A Market Must Have Looked In This Fantasy World, With People Selling Meat Here And Dishes Here."