The Way I've Described Helen's Sort Of

Looking In The Mirror, Staring Back At Me Isn't So Much A Face As The Expression Of A Predicament.

I Have A Great Deal Of Respect For The Craft, I Don't Know How Much Respect It Has For Me. But It's A Precision Process. Doing It On Stage Would Be, I Think, Terrifying. Doing It On Film Has Its Own Difficulties, Because Film Is Not Conducive To Spontaneity. You Might Have A Run Through And Get A Few Chuckles At Eight O'clock In The Morning, But You Don't Keep Laughing At The Same Thing All Day Long.

If You're Playing Someone Who's Impeded By Fear, Or Shyness, Or Has Whatever Dysfunction Your Character Might Have, You Have To Achieve The Dysfunction First, Imaginatively, In Order To Play Someone Who Is Trying To Negotiate Their Way Out Of It.

My Parents And Grandparents Have Always Been Engaged In Teaching Or The Medical Profession Or The Priesthood, So I've Sort Of Grown Up With A Sense Of Complicity In The Lives Of Other People, So There's No Virtue In That; It's The Way One Is Raised.

When I Visited Coffee Farms In Ethiopia, The Farmers Could Not Believe We Spend A Week's Wages In Their Country On A Cup Of Coffee In Ours, Because They See So Little Of The Profits. Oxfam's Fair Trade Campaign Helps Right This Wrong.