The Underlying Process In Northern Music Tends

I Always Had, Deep Down, A Slight Aversion Toward The Purely Cerebral In Music.

There Was This Kind Of Mildly Annoying Mythology About Conductor Like Biker Should Riding A Harley-davidson On An Lp Cover, And Wearing A Sort Of A Leather Suit.

There's So Much Energy Exchange [in Conduction], So You Get Back A Lot, Of Course, But You Also Have To Give A Lot. It's Kind Of High-energy Thing.

I Always Felt That One Day I Would Have To Make The Change In My Own Life, Bite The Bullet And See What It Is To Be A Composer Who Conducts Rather Than The Other Way Around.

I Don't Believe In An Annual Dose Of Film Music For The Sake Of It Being Film Music. If We Program Film Music, It Will Be Because There Is A Real Artistic Reason For Doing So.