The Truth Will Only Be Told Over

If The Animators Could Hide Something So Secretly That I Could Watch It Numerous Times, Both On The Computer And On The Screen, And Not Pick Up On It, Then It Deserves To Be In The Movie. But If They Had More Overt Things, I'd Often Tell Them To Cut It Out. In General, As Long As They Captured The Spirit Of The Character, Then They're Fine. But Sometimes It Took A While, And We Had To Replace A Lot Of Animators.

As We Know From Our Government, The More Power You Have, The More Of A Bureaucrat You Are, And The More Ego You Have Invested In Being Right, The Greater The Odds Are That You Will Never Change Your Opinion.

I Did The Newton Boys And During The Whole Process Of Making The Film, I May Have Spent A Week In Los Angeles.

I'd Be Fine If There Weren't Film Festivals, And You Just Made Your Films And Didn't Have To Do Anything From That Point On. That Would Be Really Great, Wouldn't It? I Don't Know. I'm In Kind Of An Aloof Time, Where I'm Not Taking Anything Too Seriously.

Editing Rooms Are Kind Of, By Definition, A Bubble Of You And The Editor And What You're Thinking. It's A Truth-telling Thing To Watch It Through Someone Else's Eyes, Is To Get Another Level Of Real With Your Material. Like, "maybe That's Not That Funny. Maybe That's Not As Interesting. Maybe That's Redundant To Something Else. Maybe We Can Cut Down." I Don't Know. It's A Brutal, Honest Process. You've Got To Be Pretty - You Can't Be Sentimental. You Have To Be. It's A Cold Process. You Can't Be Nostalgic. You Have To Make Those Tough Decisions.