The Trouble With New Age Music Is

We Have Two Different Ways Of Working. One Is Completely Unstructured Where Somebody Just Starts Playing And Somebody Joins In And Then The Other Person Joins In, And Something Starts To Happen. That's Occasionally What Happens. What More Often Happens Is That We Settle On Some Sort Of - A Few Sort Of Structural Ideas, Like, "okay, When I Put My Finger Up, We're All Going To Move To The Extremes Of Our Instruments. So, That Means You Can Only Play Either Very High Or Very Low Or Both. And We're Going To Stay There Until I Take My Finger Down.

One Of The Interesting Things About Having Little Musical Knowledge Is That You Generate Surprising Results Sometimes; You Move To Places You Wouldn't If You Knew Better.

The Problem With Computers Is That There Is Not Enough Africa In Them.

People Tend To Play In Their Comfort Zone, So The Best Things Are Achieved In A State Of Surprise, Actually.

If I Had A Stock Of Fabulous Sounds I Would Just Always Use Them. I Wouldn't Bother To Find New Ones.