The Trees Are In Misery, And The

The Volcano Itself Wasn't That Interesting, But The Man Who Refused To Be Evacuated - The Only One Of 75,000 People - Was What Set The Tone For The Film ["encounters At The End Of The World"] That We Made Together [with Clive Oppenheimer] Ten Years Later.

For A Film I Shot On The Most Difficult Mountain On God's Wide Earth In Patagonia For A Sequence Where There Was High Probability Some Digital Effects Were Needed, Somebody Made Storyboards And I Quickly Ignored Them, After Half An Hour I Ignored Them And I Never Used Any Digital Effect.

Orson Welles, One Of The Best Of The Best. One Of The Strongest. As Strong As An Animal. He Somehow Was Pushed Out Of The Business Because He Would Spend The Entire Budget Of The Film Before He Had Even Done Half The Pre-production.

I Have Nothing Against 3d Films But I Do Not Need To See Them.

I Think The Worst That Can Happen In Filmmaking Is If You're Working With A Storyboard. That Kills All Intuition, All Fantasy, All Creativity.