The Thing With My Workshops Is, Photography

"you Know You Are Seeing Such A Photograph If You Say To Yourself, "i Could Have Taken That Picture. I've Seen Such A Scene Before, But Never Like That." It Is The Kind Of Photography That Relies For Its Strengths Not On Special Equipment Or Effects But On The Intensity Of The Photographer's Seeing. It Is The Kind Of Photography In Which The Raw Materials-light, Space, And Shape-are Arranged In A Meaningful And Even Universal Way That Gives Grace To Ordinary Objects."

My Connection To Santa Fe Is Very Closely, And Continuously A Connection With Reid. I Believe In Him And His Philosophy Of Photographic Education.

Increasingly, It's People Not Interested In National Geographic.

There's A Great Quote About Virginia Woolf, She Had The Same Spiritual Stake In Her Diaries As She Had In Her Writing.

'woman On The Plaza,' With Its Distinct Horizon, Snow-like Surfaces, Wintry Wall, Stunning Sunlight, Sharp Shadows, And Hurrying Figure, Would Become The Most Biographical Of My Photographs - An Abstract Image Of The Landscape And Life Of Northern Ohio Where I Grew Up And First Practiced Photography.