The Text Is Not A Definitive Object.

Pleasure Is Continually Disappointed, Reduced, Deflated, In Favor Of Strong, Noble Values: Truth, Death, Progress, Struggle, Joy, Etc. Its Victorious Rival Is Desire: We Are Always Being Told About Desire, Never About Pleasure.

Tout Ce Qui Est Anachronique Est Obsce' Ne. Everything Anachronistic Is Obscene.

In 1850, August Salzmann Photographed, Near Jerusalem, The Road To Beith-lehem (as It Was Spelled At The Time): Nothing But Stony Ground, Olive Trees; But Three Tenses Dizzy My Consciousness: My Present, The Time Of Jesus, And That Of The Photographer, All This Under The Instance Of 'reality' - And No Longer Through The Elaborations Of The Text, Whether Fictional Or Poetic, Which Itself Is Never Credible Down To The Root.

Literature Is Without Proofs. By Which It Must Be Understood That It Cannot Prove, Not Only What It Says, But Even That It Is Worth The Trouble Of Saying It.

Isn’t Desire Always The Same, Whether The Object Is Present Or Absent? Isn’t The Object Always Absent? —this Isn’t The Same Languor: There Are Two Words: Pothos, Desire For The Absent Being, And Himéros, The More Burning Desire For The Present Being.