The Story Sometimes Writes You Into A

The Writer, In Order To Proceed, Is Theoretically Trying To Predict Where His Complex Skein Of Language And Image Has Left His Reader, Who He Has Likely Never Met And Who Is Actually Thousands Of Readers.

I See This Quality [real Interest And Joy] In The Work Of [pavel] Chekhov, Of Course, And [alexei] Tolstoy And Really Just About Any Great Writer.

One Of The Inspiring Things About Susan Sarandon Career Is That There's A Quality Of Real Fearlessness In It - You Seem To Be In It For The Challenge And The Experience.

So Much Of What I Am Doing In My Fiction Is Just Trying To Get Into Interesting Places In Terms Of Language Or Form, Places That Don't Bore Me. And This Happens Via Hundreds Of Quick Micro-decisions That Are Done "to Taste," So To Speak. So The Experience Is One Of Groping Toward That Interesting Place - Trying To Leap Away From Anything That Seems Boring, Or About Which I Don't Have Strong Opinions. Essentially Trying To Avoid That Moment Where, Devoid Of Any Strong Feeling, I Start Conceptualizing.

I Say Yes To The Hot Bath And The Sandwich - To Getting Ourselves Into The Best Possible Mental Shape To Identify And Then Fight The Necessary Fights From The Best Possible Mind-state: Calm, Loving, Affectionate, Precise. Not Pushovers But Also Not Zealots. With The Idea In Mind That "our Enemies" Are Not Our Enemies; They Might Seem Like That In Their Present Form But That Form Can Morph. We Really Are Large, And Really Do Contain Multitudes. But I Think It All Has To Start With A Kindly Presence Of Mind, And The Aspiration To Affection For Others.