The Simple Circumstantial Narrative (did Such A

The Most Worthless Of Mankind Are Not Afraid To Condemn In Others The Same Disorders Which They Allow In Themselves; And Can Readily Discover Some Nice Difference In Age, Character, Or Station, To Justify The Partial Distinction.

The Complaints Of Contemporary Writes, Who Deplore The Increase Of Luxury And Deprevation Of Manners, Are Commonly Expressive Of Their Peculiar Temper And Situation. There Are Few Observers Who Possess A Clear And Comprehensive View Of The Revolutions Of Society, And Who Are Capable Of Discovering The Nice And Secret Springs Of Action Which Impel, In The Same Uniform Direction, The Bland And Capricious Passions Of A Multitude Of Individuals.

The Love Of Spectacles Was The Taste, Or Rather Passion, Of The Syrians: The Most Skilful Artists Were Procured Form The Adjacent Cities; A Considerable Share Of The Revenue Was Devoted To The Public Amusements; And The Magnificence Of The Games Of The Theatre And Circus Was Considered As The Happiness, And As The Glory, Of Antioch.

The Gauls Were Endowed With All The Advantages Of Art And Nature; But As They Wanted Courage To Defend Them, They Were Justly Condemned To Obey, And Even To Flatter, The Victorious Barbarians, By Whose Clemency They Held Their Precarious Fortunes And Their Lives.

[instead] Of Inquiring Why The Roman Empire Was Destroyed, We Should Rather Be Surprised That It Had Subsisted So Long.